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Woman from Belovodye (Wikimedia Commons)
Russian folk traditions have preserved the memory of an old Utopia – Belovodye (also Belovodiye) : ‘the land of white waters.’
The belief in Belovodye was not only limited to Siberian Buddhist communities. It also existed in the general Russian folk memories.
In a way Belovodye is the Russian equivalent of Atlantis.
Even though there is a lot of pseudo-scientific new-age crackpot theories surrounding Belovodye very much like Atlantis, it may be a pointer to a historic core event in the lost past.
Whatever may be the truth of Belovodye, in the history of twentieth century, in the artistic and intuitive realm of Russian psyche, this was associated with India and the associated Himalayan realms.
Interestingly, there is also another seemingly ancient connection.
Russian folk tales also speak of Indrik – a lord of all the beasts (considered both as unicorn and double-horned) living above the mountains and which released the bound water.
This is an interesting connection because at least two Hindu scholars have suggested a connection between the Harappan Unicorn and Vedic Indra. Michel Danino in his well-researched book on the river Saraswati points out:
With the Russian folk etymology that ties Indrik with unicorn, the association of Indra with Harappan unicorn again gets reinforced.
Indrik in Russian folk tradition is also an animal that enters the underworld tunneling with its horn and is also a water-borne creature that sports a single horn.
All these are associated in Hindu Puranas in one way or another with the avatars of Vishnu.
What has degenerated into folk traditions in Russia, are actually in their full manifest Puranic form in India.
A recent work on Huns, their origins and their relation to Russia, points out that 'often in the works of folklore, the 'homeland' of Indik the beast is called - full of wonders of the Indus-land- India’.
There may be a core truth again in Russian folk memory of India being the homeland of Indrik - the original epicenter of Indra worship.
Hindu roots and bonds which have been almost subterranean in the collective Russian psyche for millennia soon started getting manifest as enlightenment of scientific renaissance loosened the grip of dogmatic and institutional religion.
Here are presented three Russian mystic-pioneers who have a great influence in the mystic movements of the West and their well known and not-so well known relations to Hindu spiritual traditions.
Helena Blavatsky (1831-1891)
Helena Blavatsky was open about her Hindu-Buddhist influences, so much so that Theosophy itself was known as ‘esoteric Hinduism’ or ‘esoteric Buddhism’ in Russia. (George M Young, The Russian Cosmists: The Esoteric Futurism of Nikolai Fedorov and His Followers, Oxford University Press, 2012, p.45)
She had a profound influence in both Russian and Western circles.
Her theosophical movement also had a tremendous impact on Indian freedom movement and social reforms.
Perhaps one of the most important impacts of the Theosophical movement was on none other than a young Indian studying for Barrister in England who was confused enough by missionary propaganda. His name was Mohandas Karamchand Gandhi.
Like most of his ‘progressive’ country men, Gandhi was also convinced that Hindus should give up their old ways and become like the British. It was then that he met the Keightleys - whom he called 'theosophist brothers', (actually they were uncle and nephew).
The theosophists introduced Gandhi to Bhagavad Gita. That was in 1889.
Gandhiji had also met Blavatsky and Annie Besant. On 26 March 1891, Gandhi became an associate member of the Blavatsky Lodge.
Gary Lachman, biographer of Blavatsky points out the abiding influence Theosophy had on Gandhi:
George Ivanovitch Gurdjieff (1866/77 – 1949)
G.I. Gurdjieff was an eccentric, even somewhat diabolical personality – at least on the surface. A mesmerizing teacher of occult sciences, he became a cult figure in the West. Quite a few also consider him a charlatan and not without a little justification. Yet, he was an extraordinary thinker and a quite an eccentric,even for the Western mystic new-age variety.
Little known is the fact that he referred himself as a ‘Hindu’ in his very first public announcement in a Moscow newspaper in 1914 regarding the performance of “an Indian mystery play”.
Gurdjieff scholar Ravi Ravindra points out that though the particular instance may in itself be anything not more than 'a useful role-playing', there was no doubt that Gurdjieff was very much knowledgeable about Indian traditions.
He was particularly critical of Kundalini because he equated the serpent power as a force that keeps the humans hypnotised in their present state.
Despite his rejection of Kundalini which was then the popular face of Hindu esoteric knowledge in the West, he employed explicitly Hindu techniques.
For example, Gurdjieff gave his pupils various breathing exercises, combined with mantras. His exercises for the disciples included sitting with knees bent, hands pressed together and then reciting 'Om' ten times to special measure of breathing, and then progressively repeating, reducing the chanting one by one till one. (Whitall Perry, Gurdjieff in the Light of Tradition, Sophia Perennis, 2005,p.54)
Gurdjieff scholar, Johanna J.M. Petsche points out another Hindu element in Gurdjieff's teachings:
In trying to adapt the therapeutic technologies of the East in the context of the West, Gurdjieff might have erred and could have added his own eccentricities. But most probably he was also aware of the presence of ancient Indian influence in the Central Asian shamanic traditions of healing.
Gurdjieff refers to the religious exercises of the Matchna monks in the eastern Gobi desert. These monks had connections with Yesevis whose religious rites where Shamanic and had influences of Tibetan tantric Buddhism. (Whitall Perry, 2005, p.8)
During the Soviet rule, these Shamans were persecuted in a violent way. Yet, these shamanic traditions could not only be not stamped out but would make a come back.
Unlike Gurdjieff, P.D. Ouspensky never became much of a cult figure though he was an avid system builder, more systematic and deeper than Gurdjieff in a way.
A mathematician, philosopher, and mystic, Ouspensky was influenced by Swami Vivekananda early on.
Pianist Anna Butkovsky was an intimate associate of Ouspensky during his Russian days.
The list of topics Anna and Ouspensky discussed clearly shows the popularity and attraction Hindu concepts had for the Russian seekers, ‘fourth dimension, Wagner, the Holy Grail, Vivekananda, alchemy, yoga, Nietzsche, magic, samadhi and the rest’.
Later, Anna saw and picked from his books, among others, a volume on yoga by Vivekananda.
Though Ouspensky was disillusioned on his visit to India because to enter any school he had to completely give up his ‘past’ (so he alleged), nevertheless the study of Yoga systematised by Vivekananda provided him a framework to understand his own spiritual culture.
In his book, A new model of the Universe, Ouspensky had a chapter ‘What is Yoga?’, in which he used the Ramakrishna-Vivekananda framework to study the prayer techniques in not only in Catholic and Russian Orthodox Christianity but also in Sufi and Buddhist practices:
Nevertheless, Ouspensky was not completely satisfied with Indian systems. He even finds the later development of the Sri Ramakrishna movement wanting from the point of view of his own quest.
His visit to India ended with disillusion mainly because he could not get anything new apart from what he had already read. (Gary Lachman, 2014, p 77.)
Perhaps he was more influenced by colonial perceptions. In this way, he could be excused given the fact that even Joseph Campbell in the post-colonial period could not escape colonial, prejudiced evaluation in experiencing India during his visit.
Ouspensky belonged to the decades when colonialism was ripe.
Perhaps the only person who could go somewhat beyond such colonial obstacles and taste true India was Roerich. Yet, for Ouspensky, in his own journey, Indic traditions and knowledge played a crucial role and whatever later system he developed, carried the stamp of Indic influence.
A Soviet U-Turn on Yoga : here
What Russian Writers Learnt from India: here
How India influenced flowering of Russian Art: here