During this year’s Durga Puja, some pamphlets and posters appeared at the Jawaharlal Nehru University (JNU) campus. One of them read as below:
The Shudra (and perhaps the unadulterated) reading of Mahishasur–Durga story goes like this. Mahish means buffalo. Mahishasur means the
Buffalo Demon. Demon (asur) is different from god (sur). Sur means god. God means Brahmin or Swarna (upper caste). Surs do not work. Asur means those who work – in today’s parlance, workers. Mahishasur means people who rear buffalo, the buffalo-rearers, those who trade in milk -the dairy people. Asur may have changed to Ahur and then to Ahir (the present-day milkman caste). Mahishasur or the buffalo-rearers must have been the people dominating the Banga region. Racially they must have been Dravidians. They must have also been opponents of the Aryan culture. Aryans had to defeat them. These people used Durga.
In the Banga region, prostitutes mention Durga to be of their clan. Even today when one makes the Durga idol, some soil must be brought from the house of a prostitute. It took Durga nine nights to kill Mahishasur. The Brahmins who sent her waited nine nights with bated breath. This was a difficult task. If not force, deception – Force of deception. On the ninth night Durga tasted success, she killed Mahishasur. As they heard the news, the Aryans (Brahmins) were all agog. They swooped at Mahishasur’s people and cutting their heads (munda) off made a new kind of garland.
They put this garland around Durga’s neck. Even Indra couldn’t do what Durga had done. But Durga was distraught by the genocide and committed suicide by jumping in the river. This, the tradition of immersing her idol in the river was born. The festival is the celebration of genocide of the natives. It’s a celebration of murder unlike in any other religion. It promotes hatred and justifies caste violence against bahujans which is the continuation of the old racial war. It must be banned. 
The Neocon Heartbeat of the Indian Left
The above passage was penned by Prem Kumar Mani, a party hopping politician, who as of this writing is with Lallu Prasad Yadav’s RJD (he was with JDU before) though he started his political career with Communist Party. He had also dabbled in ‘progressive literature’ with establishment blessings. The passage was originally written for a caste magazine ‘Yadav Shakthi’.
It was translated and published last year by an anti-Hindu propaganda bi-lingual magazine ‘Forward Press’ in November 2011. Following this a ‘Mahishasur Martyrdom Day’ has been organized by ‘All India Backward Students Forum’ (AIBSF) at JNU campus this year on 17th October in which among the main speakers are Prof. Kancha Ilaiah, a former professor at Osmania University and Prem Kumar Mani.
Prof. Kancha Ilaiah has a gifted mind for churning out crackpot reconstructions on popular Indian mythology, often portraying them as ‘Aryan’ ‘Brahminical’ conspiracies against the down-trodden. Of course that is understandable given the fact that he is with Dalit Freedom Network (DFI) which is a front of Christian Solidarity Worldwide (CSW) whose honorary president is Jonathan Aitken, a politician charged with ‘perjury and perverting the course of justice’ in 1999 and served seven months in jail. In jail Aitken discovered evangelical fundamentalist Christianity as a means of comeback.  It is interesting that the anti-Hindu shows staged in ultra-left wing citadel in India have their ultimate string pullers in the Christian Right of the West.
Coming back to the original duplicity of making a martyr out of Mahishasura and peddling a racial interpretation of a Hindu myth as the ‘Shudra’ reading, one finds an immense ignorance of not just Indian history but also a colossal insensitivity to the local traditions that exist throughout India.
Asuras are a Race?
Let us start with some hard facts.
There is a tribal community called Asurs who venerate Mahishasur. Can this be taken as the proof of the speculation that the slaying of Mahishasura was indeed the slaying of aboriginal tribes by invading Aryans?
The answer can be easily gleaned by looking at Ravan, another valiant anti-hero of pan-Indian epic Ramayan. After the advent of colonial narrative, the anti-Brahminical Dravidian movement had been projecting Ravan as the non-Brahminical Dravidian hero who was defeated by cunning Aryan Rama. However traditionally it was Kanyakubja Brahmins, a Brahmin sub-sect in Madhya Pradesh, not non-Brahmins, who have been venerating Ravana as their ancestor. 
There are temples for Duryodana the anti-hero of the other pan-Indian epic Mahabharatha at both Uttarakhand in the north and Kerala in the south. Hence it should not be surprising that in India which has traditionally nurtured diversity and pluralism, every anti-hero in any mythology would also be venerated by some community somewhere in the country. To construe a racial interpretation to the mythology based on the existence of such communities is not just bad academics but also hate mongering.
Harappans Stand Accused?
Further there is not an iota of evidence that buffalo was not venerated by Vedic civilization. There may be a correlation between the buffalo like head-gear of the Harappan ‘yogi’ seal and the hymns of the Vedas invoking the imagery of buffalo with regard to Vedic divinities. Indologist Stella Kramrisch pointed out in her authoritative work on Siva:
The buffalo horns gracing the head of this figure and other figures in human shape in Harappan art impart bovine grandeur and significance to their appearance. …Though the collection of the hymns of the Rig Veda was not completed before 1000 BC. Some of its myths originated in a far remote past. In the Rig Veda the bovine species whether as buffalo or bull, lends its glamour to the evocation of the gods. Agni, Indra, Soma, and Varuna, the principal Vedic gods are invoked as buffaloes. Much less frequently are they invoked as bulls? Indra is once praised as a buffalo great in bull powers (RV. 3.46.2), the buffalo obviously taking precedence over the bull. 
So much for the so-called ‘Aryans’ of the Vedic society detesting the buffalo rearing native Dravidians. But what is even more interesting is that the slaying of Mahishasura myth has its origin in the Harappan civilization itself. Jane McIntosh an archaeologist from Cambridge University specializing in Harappa states:
It seems that bovids and tigers, magnificent and powerful creatures, played a major and balancing role in the iconography of the Indus civilization, both individually and in combination. Both appear in later Indian religion, as vehicles of deity, as manifestations of gods in their more terrible forms, and as their opponents: for example, the goddess Durga riding a tiger and slaying the buffalo demon, Mahishasura. While the buffalo and bull, as well as unicorn, are depicted as unmistakably male, tigers are not and may perhaps have been female, another significant duality. 
Soviet scholars, who attempted the deciphering of Harappan seals, also had observed the depiction of an earlier version of the slaying of Mahishasura, not by Durga but by Skanda (as narrated in Mahabharatha):
In the scene depicted on the seal MII, 279; XCII, 11, one finds a personage slaying a buffalo with his spear. An evident parallel to this scene is found in an episode from the late mythology of the killing of the demon-buffalo Mahisha. This motif has many variants in the ancient Sanskrit monuments. The feat of killing Mahisha is ascribed to several deities, Skanda among them. According to the myth related in the Mahabharatha, Skanda appeared in this world in order to head the army of the gods in their struggle against various demons. Among other demons slain by Skanda one finds Mahisha. The details given in the Mahabharatha’s version of Mahishamardana (the killing of Mahisha) exactly correspond to the scenes on the Proto-Indian seal. 
So, if the worthies assembling at JNU to celebrate the imagined martyrdom of Mahishasura are right, then as a logical extension they should also claim that the architects of Harappan civilization were the original perpetrators of the massacre of native ‘Shudras’.
Ilango Adigal an Aryan Stooge?
Even more damaging to the crackpot conspiracy theorists is the account of tribal worship described by Chilapathikaram – an ancient Tamil epic. Definitely not later than 3rd century CE and authorship attributed to Ilango Adigal, a prince who renounced crown to become a Jain monk, the epic described the Goddess worship ritual of the tribes found deep inside the Tamil landscape. Illango Adigal speaks of the Goddess through the tribal ritual litany, which is worth quoting in a somewhat detailed way:
The demon of two forms with strong formed shoulders
On his head She stands
And all worship Her as
The Immortal the Youthful, the Shining, the Warrior,
She with the trident, She who is dark cued
She the younger sister of Vishnu
Warped in elephant skin and with
The skin of tiger adoring the hips
You stand on the
Dark head of the forest buffalo
With celestials venerating You as
The essence of scriptures
With no flickering
You stand as the Flame of Gnosis, Lo!
Sword held in the hands wearing bangles and
Vanquishing the buffalo demon
You stand on the strong horned reindeer
You also are in the hearts of
Hari, Haran and the lotus dweller
The lamp of ever expanding light, Lo!
With the garlands of
Golden shower flowers and Ocimum
Adoring your shoulders
You battled for the Celestials
Against the Asuras 
If Prof. Kancha Ilaiah and the other assorted crackpot theorists are right, then Ilango Adigal, considered a Jain monk, should be accused of being an Aryan stooge deluding the Tamil Shudras with the worship of an Aryan prostitute who killed the leader of the Shudra-Dravidians. It is unfortunate that the left establishment of JNU does not have a single eminent scholar who could call off the bluff of these hate mongers. But then why should they? After all they are all part of the academic mafia that thrives on the profitable cottage industry of anti-Hindu bootlegging.
Goddess who Fights for Justice
Can they even justify their hate-mongering as part of their social justice agenda? Even that is not possible. Because there has been one great son of India – the greatest of the warrior seers – the divine warrior intoxicated with Dharma- who had used the mythology of Durga slaying Mahishasura to enthuse new blood into the veins of a nation suffering under gross injustice by the powers that be. He was Guru Gobind Singh. Around 1686 CE the great Guru composed Var Sri Bhagauti ji ki, popularly known as Chandi Di Var. Surjit Singh Gandhi the Sikh historian explains in detail the Mahishasura Mardhini described in the powerful poetry of Guru:
In this first Var of its kind, complete and exhaustive and in blank verse, used for the first time in Punjabi literature, the Guru succeeded in making his composition a means to impart heroic spirit – an important salient of his ideology. Though the source of the composition as in Chandi Charitra was also the tenth Skanda of Markand Puran, he related in his composition only the battle of Chandi and Durga. Of the fifty-five stanzas in the Var, forty-nine described the battle scenes… Chandi’s battles were, in the eyes of Guru Gobind Singh, fought on the side of righteousness. …
He pictured Durga as the one clad in armour from head to foot, while serpents coiled around her neck hissing dreadfully at the foe. Her hand-drum makes the sound of roaring tigress. She is riding a lion and fights valorously against the Rakshasas – tyrants and slays Mahishasura among others. … Herself the bulwark of righteousness, she moves back and forth fearlessly. Guru Gobind Singh sees her battle as one against sin. … She in fact is represented as a moral power to challenge an oppressive system and to establish harmony, morality and justice.
Her aggression is therefore healthy as her anger is purifying. The Guru’s specific choice of Durga out of millions of gods and goddesses was significant from another point of view. She was one goddess without husband, consort or lover. She is independent. She is her own mistress. She is autonomous, capable of taking her own decision, always acting as a positive force to activate the good to dare the wicked. By attributing such characteristic to Durga, the Guru purposely gave a fresh role model in the form of a woman. This was indeed something revolutionary and breath-taking. In most of the cultures the image of woman has been degraded. …
The Guru’s treatment of Durga was completely exempt from such detraction. On the other hand her exploits had been fully described rather magnified. In this recalling, Durga did not lose even an iota of her shine and fire. She was represented as a paradigm of independence, sovereignty and wholeness of a person. The exalted image of Durga which the Guru created or presented went a long way to bring about a change in the psyche of the people especially women.  (Emphasis not in the original)
It is interesting that Illango of ancient Tamil land used the tribal litany of Durga as a preamble to his epic heroine assuming divine anger in her quest for justice and Guru Gobind Singh of Punjab used the mythology of Durga to infuse vigour in a society to fight for justice.
The Legacy Continues…
Thus we have the abiding presence of Durga cutting across the regional diversities of nation uniting the nation and during times of oppression and social stagnation, the Goddess also galvanizes the nation into action. And it is not an accident that the tribes named Asuras see in Swami Vivekananda the disciple of that illiterate priest of Mother Kali, their greatest hope and inspiration.
The Asuras consider Swami Vivekananda, the country’s great spiritual and social leader, as their idol. “January 12 is the birth anniversary of Swamiji and our organization decided to hold the meet on the same day,” Vimal said. The Asuras of Paat region of Netarhat, have been facing the lack of basic amenities like ‘bijli’, ‘pani’ and ‘sadak’, educational and medical facilities. Many had developed ailments like tuberculosis because of dust of the bauxite mines and some have died of the same, added Sandeep Asura. 
And it was that worshiper of the Goddess Sri Ramakrishna who cleared the night soil of a Dalit with his own hair to remove casteism from the collective psyche of this nation. Still the JNU circus will go on oblivious like a buffalo to all this flow of history for their neocon string pullers sit elsewhere.
 Twish Mukherjee, The ‘Myth’ in Mythology, roundtableindia.co.in published: Published on 11 November 2012: accessed 17-Oct-2013
 http://blc.bih.nic.in/Members/PremKumarMani.htm: accessed 17-Oct-2013
 JNU group to observe Mahishasur’s ‘martyrdom’, Times of India, Oct-15-2013
 http://en.wikipedia.org/wiki/Jonathan_Aitken : accessed 17-Oct-2013
 In MP’s Ravan village, the demon king is a revered deity, Hindustan Times, 14-Oct-2013
 Stella Kramrisch, The Presence of Siva, Princeton University Press, 1994, p.13
 Jane McIntosh, The Ancient Indus Valley: New Perspectives, ABC-CLIO, 2008, p.283
 B.Ya.Volcok, Interpretation of the Proto-Indian figures, in The Soviet Decipherment of the Indus Valley Script: Translation and Critique, (Ed. by Arlene R. Zide, Kamil V. Zvelebil), Walter de Gruyter, 1976, pp.115-6
 Ilango Adigal, Chilapathikaram: Madurai Canto: Vettuva vari
Surjit Singh Gandhi, History of Sikh Gurus Retold: 1606-1708 C.E, Atlantic Publishers & Dist, 2007, pp.705-707
 Primitive tribe set to discuss stand on development issues, Times of India, 11-Jan-2013